The Winter Cyclist

This cyclist ascending the freshly opened road between Reyðarfjörður and Egilsstaðir. We traversed it a few days before, and it was rough going. What this cyclist does not know is that the 8 foot drifts have left a kilometer of ice and slush that runs six inches thick.

Winter time bike riding
Man riding bike up snow covered mountain shortly after it was reopened after heavy snow.
Snow covered mountain
The snow is just beginning, but in 36 hours the road will be closed for a day, and it will reopen shortly before the cyclist makes his accent.

Heading back to the residency in Stöðvarfjörður

#Cycling #WinterCyclist #aLittleCrazy #MountainPass #StodvarCreativeCenter #ClosedRoad

Fish Drying Operation

Considerately, this place is more than a mile west of town, because it does smell sweet. What at first appeared to be drying eels, turned out to be Atlantic wolffish.

WorthYourSalt
Lightly salted fish hung to dry. Cool operation. #WorthYourSalt
Salted fish
Fish is soaked in sea water to ad salt then hung to dry.
Fish drying
I thought these were eels drying, but I learned that they are cut wolf fish (a.k.a. ‘cat fish’ and ‘devil fish’)

#WolfFish #WorthYourSalt #SaltedFish #StodvarCreativeCenter #StodvarCreativeCenter #OldSchool

At The Gates of the West Launches Today

Today, I am excited to announce that a novel new website about artists and their work has launched, and I am honored to be included.  About each artist, the site features an introductory Context piece, an interview in the Dialogue, a photo gallery of the artist’s studio, and a Rack of the artist’s work.  The site is At The Gates of the West.

Initially Gates of the West features three artists, Chelsea Gibson, Gail Stoicheff, and myself (Context, Dialogue, Studio, and Rack).



Kevin Sudeith



Chelsea Gibson



Gail Stoicheff

Jet Impressions

The spatial relationship between the rock jets and the viewer of the works on paper constitutes the overarching form of each of my works of art as a whole.

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These prints are indexed in a relational database which is potentially the most ephemeral, yet most central component of the aerospace perspective.

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The Moose Petroglyph

 

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Here’s the Moose Rock with the Aspy Bay and Cape North in the background.  My intention was to carve fish and fishermen, but my host argued that people there ate as much moose as fish, so I carved this moose.

Below,  shows the carving painted for printing and a rice paper impression made from the carving.

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NPR Reveals My Simple Secret , ‘My Art From Life’

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Philosopher and author,  Alva Noe, characterizes my work well:

” The very project, then, is a social experiment; the artist works with rock and carving, but he also works with this more immaterial material of delicate social relations and community. This is no less the stuff of his art.”

Read more about it here :
http://www.npr.org/sections/13.7/2016/04/23/474717276/making-art-from-life

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Working Cowboy

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This carving features a working cowboy, Morris Ware, from the community around the carving, Jerry Brown had invited some funeral directors out to Ingomar to stay at the Bunk n’ Biscuit, ride horses and push cows during the day, and hang out at the Jersey Lily at night. I tagged along one day while they pushed cows closer to the ranch for the fall roundup.

The best part of the day was lunch at the Newman’s ranch.