#SuperJeep #VanLife #Rambling
Super Jeep
Author: Sudeith
Hike Above Skoga Falls
#Skogafoss
The Hot River
En route to Stodvarfjordur we drove along the south coast, but first we stopped off at Silfra for a dive in the two degree water then a trip to the Hot River, Hveragerði.
#HotRiver #HotSpring #Hveragerði #Hiking
Shocking Signage in Keflavik
While scouting out our return trip, we noticed this no parking sign. Must be some rude tourists.
#StodvarFishFactory #Signage
4 WD Drive Van a.k.a. SuperJeep
Crazy looking Volvo super jeep in Reykjavik on first day.
#VanLife #SuperJeep #Reykjavik #StodvarFishFactory
Iceland: Day 1
Day one of Iceland adventure. Straight from airport to the public pool.
#Iceland #Vesturbæjarlaug #StodvarFishFactory
At The Gates of the West Launches Today
Today, I am excited to announce that a novel new website about artists and their work has launched, and I am honored to be included. About each artist, the site features an introductory Context piece, an interview in the Dialogue, a photo gallery of the artist’s studio, and a Rack of the artist’s work. The site is At The Gates of the West.
Initially Gates of the West features three artists, Chelsea Gibson, Gail Stoicheff, and myself (Context, Dialogue, Studio, and Rack).
Kevin Sudeith
Chelsea Gibson
Gail Stoicheff
Jet Impressions
The spatial relationship between the rock jets and the viewer of the works on paper constitutes the overarching form of each of my works of art as a whole.
These prints are indexed in a relational database which is potentially the most ephemeral, yet most central component of the aerospace perspective.
Space Art
My vision for this carving is to document the space age for the long term.
Beyond the local impact for people with physical access to the rock, this impression presents the work off-site where my artwork becomes a remotely accessible experience.
Rock, Paper, Space
Below is a cowboy carved atop a frieze of petroglyphs on private property on the Hastings Mesa near Telluride, CO. Below the carving is an impression made in 2011. The spatial relationship between the rock and the piece of paper is the form overarching all my work.
