Telluride, CO

When I was here in Telluride during the financial crisis in September 2008, I began a carving a panel at about 9000 feet above sea level. It is located several switchbacks up the road from the patron’s ranch house on a sheep trail. It took a week of hiking to find two suitable sites to make petroglyphs. In 2008 I began work on the more remote and less “architecturally” significant panel. I saved the the more substantial site until I had more time to work, like now.

The panel I began in 2008 featured primarily technological motifs: airplanes, hot air baloons, helicopter, space shuttle (as well as a large bear since this is the Hidden Bear Ranch). Upon reflection it felt silly not to depict local subjects like cattle ranching as well as local fauna and game, so this year have commenced the Second Site featuring cowboys, deer, elk, pickups, campers, and cattle. The images ate the Second Site are also geared to the patron specifically: their pickup, their camper, their six wheeler.

New carving at the Second Site:

Carving from 2008 as I found it in 2010:

Kenmare News Story About Kevin Sudeith’s Petroglyphs

As I was leaving Salt Lake City last week, I received a voicemail from my host in Kenmare, ND. He said he liked one carving so well that he took his front end loader and moved it to his yard. He also said that the Kenmare News had run a story about me and my carvings.

One of Sudeith’s goals for the project is to tell the story of a particular family in a particular place, using images related to American technology. “It’s a way to honor ancestors and to illustrate the broader history of the area,” he said. “The people here were coming from Scandinavia and took up wheat farming, and then there have been all these technological changes in farming.”

To put it another way, by telling the specific story of a single family one can tell a broader story of America and the history of technology.

North Dakota Details

Below are a few details of my carving in Kenmare, ND.

Chandra Xray Observatory

The only air traffic, besides the hail seeder, and an Air Force Huey supporting the ICBM sites were B52’s based in Minot.

A space shuttle in honor of STS-132 which transpired while I was in ND.

This is an Old Holland 2010 model combine. They look like they were designed by the same person that designs Giro cycling helmets.

Hail Storm

My last night in Kenmare another artist, Harlan Nelson, organized a dinner for me at the Pizza Hub. I was headed to Salt Lake the next day, so that afternoon I was at my main site making impressions. When I left my carving site for dinner it was hot and dry, when I returned after dinner, ping pong ball sized hail had punched holes in the 80# paper that was soaking in the coulee. A silo had blown across the road into a pond across the road. It was a good thing I went to town to eat, effectively driving around severe thunderstorm, because I would have been working unprotected outside intending to tough out the storm.

Before dinner:

After dinner:

Harlan’s friends, both the farmers and the people who lived “in town”, identified with the prints I brought to dinner. I was happy to introduce a cadre of residents to my work, and told people where to find the petroglyph. Lastly, I felt honored by the dinner and I appreciated Harlan organizing it.

The Van is Dead! Long Live the Van!

Memorial weekend Kenmare got 4 inches of rain, and I got stuck. I took some pine boughs put them under the back wheels, said to myself, “Sudeith, don’t make a small problem a big problem”. I got behind the wheel, put it in low, gave it some gas (too much?), got it going, the motor quits and a puff of black smoke is emitted from the dashboard. Two days later, Tuesday, the AAA tow truck arrives driven by a 17 year old kid (girlfriend along for the ride) who says, “Sounds like the motor”, and he was correct. Long story short, it was cheaper to buy a new van, my time excluded.

Starting from the Beginning

In October 2009 I got the idea of spending some time travelling to make petroglyphs. By Thanksgiving 2009 I began to float the idea of going walkabout to my friends and family, who were mostly lukewarm (at best) to the idea.  By New Years 2010 I began to plan wholeheartedly, and as the plan evolved, my friends became more supportive of the idea of an extended trip to make petroglyphs. The plan by mid January was to move out of my apartment April 1, with May 1 as a fallback, and hit the road. . February and March I worked tnthusiastically to temporarily close Warrug.com and move all of my shamefully coupious personal property (a.k.a. junk) into storage while feverishly planning my trip:locations to work, routes, tools, campng gear, van transformation.  At this point my friends had become enthusiastically supportive while I had begun to think the whole idea might be… a little drastic.

March 23 the truck arrived, six hours late, to pick up my personal property. April 1 I vacated my beautiful apartment. April 10 I left New York City.  I spent a couple of weeks prepping and staging in Minnesota, and on May 1 I left for locations westward.  Today, May 20, I find myself in a cafe in Stanley, ND working on preparatory drawing for my first major carving of the trip.

This blog will serve as journal of my trip and work.

I will go back a while and recount my planning, preparations, and departure, but first, here is the first carving I’ve made geared to the specific local in which I am working.  Its a contemporary tractor used in the wheat farms around Kenmare where I find myself.

Packing

First of all, the most important stuff: fishing tackle. I planned to bring a freshwater rod and reel, a saltwater rod and reel, and fly fishing gear. While packing I found my fly tying stuff and thought, “Am I going to bring this TOO?” when it occurred to me, I could bring just fly fishing tackle AND fly tying stuff and fish anywhere. Wishful thinking, I know.

Next most imporatant is computer / telephony stuff.

After electronics, shelter is most important.

What am i going to read while at repose in my tent? (Someone on FaceBook kindly informed me that Into the Wild is not a “how to” book.)

Miscellaneous camping truck:

Here’s the kitchen.

With electronics, shelter, cooking and reading sorted, I suppose I should bring some art supplies
.

My dad taught me to use a tool only for its proper function, so I’d better bring some tools.

Hmmmm….What am I forgetting? The potentially most crucial bit of stuff – the First Aid kit. I made three First Aid kits: van kit, camp kit, and day Kit. The van kit was most extensive with stuff for making casts, reattaching fingers, major stuff. The camp kit was pretty extensive too: one cast kit, ace bandages, some suture kits, gauze, rubbery bandage stuff, various OTC meds, Epy Pen, instant ice packs, ointments, etc. The day pack kit is meant to carry with me on day trips and patch myself back together well enought to get back to camp or van.

Van Transformation


Transforming a New York City work van into a RV outfitted for petroglyphy took planning, but with the invaluable skills of the excellent artist, Daniel Davidson (above), we installed a false floor designed to contain ten foot tent poles, a 42×36″ paper tray, tarps, camping supplies and portfolios.


Photo by Daniel Davidson

After the floor was installed, the next project was laying in the storage. Ikea metal drawers and shelves from Home Depot fit the bill.

Next came the insulation and paneling behind the storage. One inch pink polystyrene foam was covered by eighth inch masonite paneling . Daniel had taught me well how to plan the layout and cutting of paneling. It was a challenge, but manageable. Measure twice, cut once, sort of…

Later, in Minnesota I paneled the opposite wall.

Next was the hardest part, paneling the roof. The challenge was holding up the paneling while screwing it to the frame.

and VOILA! All ready to go, almost…

Ad one bicycle, some rugs, camping supplies and a gymnastic mat turned murphy bed and the petroglyphmobile was all set to head west.

And heres the best part, the giant paper tray!